It’s the correct speed if the chords on the verse are F and G#. That’s the simplest way to tell. That’s what they are on the Dry Demonstration disc, the Dry album itself, and this newly released demo, which is the same exact speed and pitch as the one on the Dry Demonstration disc. Can you play your cassette copy and compare it to those?

Not to sound too thick here but wasn’t this released with the original pressings of Dry? I thought some came with a bonus disc called Dry-demonstration?

Hopefully with the post of the tapes of TBYML and ROM these could also be on the horizon. I’d love to hear the works in progress of ITD....

I confirm it's the same thing with water demo. cassette 4:42 vs cd or vinyl 4:35. the same beginning and the same ending.
I think the demos cassette has the right speed or pitch I don't know how you name it. slightly slower.

" Time off before resuming the tour. Abbotsbury, Dorset. July 23rd. PJH, sheep and chapel. "
[camera] by Melanie King

Mel King is a hairdresser who has a salon in Beaminster - at least I hope she still does, after recent events. She's credited in the thanks on Stories, UHH, and LES.

For the vinyl re-release of Dry and Dry Demos I wanted to share a photo of myself at Yeovil Art College, Somerset, taken in 1991/1992. This would have been the time I was writing the songs for Dry, and demoing them. I am in the life drawing classroom, wearing one of Maria Mochnacz’s jumpers. (I borrowed a lot of Maria’s clothes in those days!) I loved Yeovil College and its art tutors who inspired and encouraged us – and while we are looking back to where it all started, I will take the opportunity to say THANK YOU, to all of you, for your support over the years that has helped me so much. Photograph by my dear friend, the artist Rebecca Goddard @becky_goddard.

...and while we are looking back to where it all started, I will take the opportunity to say THANK YOU, to all of you, for your support over the years that has helped me so much.

A photo of me taken at the time I was writing To Bring You My Love, lying beside Flannery O’Connor’s ‘Wiseblood’, my notepad and my headphones. This book was a huge influence on my writing as I began to explore story-telling through song.